Overview of the Annual Report and Form 10k and the Balance Sheet Essay Example for Free

Overview of the Annual Report and Form 10k and the Balance Sheet Essay I should be able to understand your answer and see what the numerical support is without looking at your tables. For all problem sets, please show tables and calculations with each answer (unsupported answers will be marked wrong), not in separate tables. I should be able to look at your tables or calculations and see what the answer should be without actually reading it. And I should be able to read and understand your interpretation of a table without having to look at it. Clearly show and label any and all calculations. Your output should look professional. 1. Corporate Message: What does Coca Cola’s 2012 Annual Review tell you about the message the company wants to convey to its readers? Point out examples to support your discussion. 2. Describe the three types of Coca Cola’s bottling relationships. Name the significant companies that are accounted for by the equity method. Does Coca Cola have a controlling interest in these companies? Explain and demonstrate why or why not? What would the company’s balance sheet look like if Coke were to account for its publicly traded equity method investments at fair value rather than using the equity method? . Except for Property, plant, and equipment, what was Coca Cola’s largest single asset (not asset category) at 12/31/2012? How does it compare to 2011? Why do you think it increased? What was its relative impact on the change in total assets? Which component of Coca Cola’s balance sheet is the primary factor causing the company’s change in total assets fro m December 31, 2011 to December 31, 2012? How much did this factor change by relative to (i. e. , as a percentage of) the change in total assets? 4. Income Tax: Is Coca Cola’s effective (i. e. , average) tax rate more or less than the U. S. federal (â€Å"statutory†) rate? What is the primary reason(s) that it was more/less in 2012? 5. Look at Coke’s 10K. For 2012, is the amount of dividends declared equal to the amount of dividends paid? What are these amounts? Where did you find them? Did dividends declared increase, decrease, or remain the same – per share and in total, compared to 2011? 6. Prepare a 2011 and 2012 common size balance sheet for Coke. Comment on differences between the two. A common size balance sheet is one for which each item in the balance sheet is divided by total assets. Download Pepsi’s 2012 10-K from Pepsico. com 7. Using the information in Pepsi’s 2012 10-K, calculate the company’s a. Total market value for 2012 and 2011. b. Book value to common shareholders for 2012 and 2011 (Hint: Pepsi does not have dividends in arrears on their preferred shares. Use Pepsi’s call price located in the footnotes for the preferred stock claim. Just subtract the total preferred stock call price amount from total stockholders’ equity. c. Market to book value ratios for 2012 and 2011. d. How do the above ratios for Pepsi compare to those of Coca Cola for the same two years? How do you interpret any differences? 8. Make a common size balance sheet for Pepsi for 2012 (round your percentages to 1 decimal place – i. e. , the same as 0. xxx ) Examine the two companies’ common size balance sheets. What do you notice about a. Cash and cash equivalents b. Net receivables c. Current liabilities d. Long term debt What do you think any significant differences between these ratios might mean? Do you notice any other significant differences between Coke and Pepsi? 9. Working capital: Working capital equals total current assets minus total current liabilities. How much working capital does Pepsi have at 12/31/2012 and 12/31/2011? How much working capital does Coca Cola have at 12/31/2012 and 12/31/2011? Can you directly compare the two companies’ working capital? Why or why not? If not, how could you make them comparable? Are the two companies experiencing similar changes in working capital?

Metro Manila Film Festival: Taste of Filipino Movies on Christmas Essay

While the children are very busy collecting their gifts from their godparents, actors and film staffs are also busy creating such wondrous movie as their entry to the Metro Manila Film Festival. MMFF as its shortened name, it is the annual celebration of the Filipino talents in the movie industry. Usually held during the Christmas season, it recognizes the role of the film industry in providing artistic depictions of the Philippine stories and history. And as the time passes by, Metro Manila Film Festival has become part of the Filipino’s yearly celebration of Christmas. Before the films are being sent to various cinemas nationwide, giant floats of them will be rounding the Pasay Rotonda first. The floats are made portraying the setting of the actual movie. For instance, if a certain horror movie is set in a haunted house, then its float will be like a house with an eerie design. In general, all the floats are decorative implying the effort of the people behind those artworks. People are truly enjoying the caravan not only because of the enormous and colorful floats they see but also for the chance to glance at their favorite celebrities. In order to have evidence of achieving their dreams, they will surely take pictures of them. The casts, on the other hand, are usually on top, shining their eyes and swaying their hands to welcome the people. Their sweet smiles and heart-warming yells throughout the procession somewhat convince the people to watch their pompous creations. Moreover, they throw some giveaways such as t-shirts and posters which may he lp to attract the people’s attention. All are appreciating every single moment of the event. Normally, the first day of the film viewing is placed on Christmas. Imagine how clever pro... ...ovie itself. As the time goes by, movies become more imaginative signifying the rich and brilliant minds of ‘Pinoys’. They are devoted to their profession, trying to reach perfection. After all, they will gather all the gifts of their hardships. Filipino film industry is very significant among them just as how important the Christmas is. Furthermore, it is as colorful as the Christmas celebration of the Filipino community. Works Cited â€Å"The 39th Metro Manila Film Festival†. Metro Manila Film Festival. MMDA. 2012. 22 Dec. 2013 â€Å"2012 Metro Manila Film Festival†. Wikipedia: The Free Encyclopedia. 28 Dec. 2013. 28 Dec. 2013 â€Å"2013 Metro Manila Film Festival†. Wikipedia: The Free Encyclopedia. 29 Dec. 2013. 29 Dec. 2013

Peter Pan Generation Is Growing Up

Paola Lagunas Spindler English 101 Essay 3 November 2 0, 2012 The Peter Pan Generation is Growing Up There are no longer any adventures in library wonderlands in literature today, kids are forced to  experience  hard reality at a much younger age. Maria Tartar author of â€Å"No More Adventures In Wonderland† asserts the evolution of children’s and young adult villains in stories. Peter Pan, the lost boy, who never grew up, is one of her examples, giving Captain Cook a childish effect, J. M.Barrie (author of Peter Pan), gives the child the security that the good guys win the battle between the silly and  playful  adventure stories. Alice in Wonderland, a book about a girl losing herself down a rabbit hole and then battling the red queen,and her card soldiers, also give this story a secure and childish effect. Tartar believes authors have helped villains evolve from whimsically devilish to brutal and dark. The children books, intended before for a fun time are no w becoming suspenseful sit down novels. According to Tartar, authors â€Å"have crossed.Creating a perverse twist on such stories as Clifford the big red dog, The Graveyard book, a picture book about a serial killer hand who holds a knife and kills his four family member is a perfect example of authors new twist on entertainment. Harry Potter, a national best seller, is about a child’s parents dying at the start of the story, the protagonist fighting death, and loosing family and friends until the end where a well planned murder with the entire character base give a grand final to this seven book series. However, Tartar gives the prize of absolute horrific monsters to Suzanne Collins, author of The Hunger Games.Collins has turned the child reading the book into the villain. Katniss Everdeen (protagonist) fights against 12-18 year old children, in a brutal battle for living. Opening her reader’s eyes into seeing children's  exposure  to books about death, and stori es about despair and devastation, Tartar declares that books are evolving to fast for the chilren of today, with this, tartar proves how the Peter Pan generation is growing up. The villains in children’s books are changing; they are evolving, becoming more complex, growing, but, the children too are getting older. Once bedtime characters, villains are now becoming nightmare enhancers.Children that at the age of 4 were reading Alice in Wonderland, Peter Pan, and Cinderella are now the 16 year old's reading Hunger Games. The stories now being published differentiate from the previous stories but the readers do too. Providing that four year old's are still reading classics such as Peter Pan; young adults expanded their interest to  good but devastating  stories. The main reason why these stories are reaching such  exposure  is due to advertisement. Althought Tartar assures the stories for children are growing up, the reader has also matured, and the aurhots have started to developed a more consuming story.Using logos, Tartar points to the  dilemma  of the ‘expanding children story’ and it serves as slate for her reader's minds. This will help her prove the evolution of the story. If any one person compares Alice in Wonderland to The Hunger Games, the evolution of the ‘narratives about loss, suffering, and redemption’ the reader will be persuaded into Tartar’s point of view. Once Tartar sets up the juxtaposition for these two movies, she is able to effectively point out the difference between the stories, however, she takes a different approach and traces the origins of the books to issues with the authors.In past times, Tartar explains, there was such a thing as â€Å"Author's Sunday afternoons†, authors enjoyed a nice picnic, took their Saint Bernard for a walk and breathed in pure air and ideas. Authors are a now more complex. J. K Rowling, author of best seller Harry Potter, writing her first book unde r candle, and coffee shop light because she had no way to pay for electricity in her apartment, she experianced poverty. Suzanne Collins, as a child had anxieties about the possibility of her father’s death as a Vietnam veteran, was able to use this to her advantage in books about death.Authors have clearly evolved with their stories, and expanded their relationship to many more readers. This new diversity  of authors is allowing them to write deeper stories with darker backgrounds and meanings for matured readers. Even though Tartar points out the complexity of the authors and stories, she fails to point out that these both lead to the maturing of the children. Capturing a balance of danger and enchantment, the stories of Peter Pan and Alice in Wonderland provide the  audience  with an idea for the possibilities of adventure quest in childhood.The traditional villains frighten the readers, but their â€Å"juvenile antics strip them from any real authority. † Boo ks such as these are written for children under the age of twelve because of the foolish way the characters portray evil. Books such as the hunger games are written for teenagers, knowing this helps the author write appropriate topics of more complex aspects. However, Tartar has a fault in her argument by comparing a bedtime story to a story such as The Hunger Games. When an author compares two stories, one being The Hunger Games and one being Alice in wonderland, the author has one point; there is a difference.There is of course a difference, an evil wich who only dresses in red and black and hearts is no comparison to a child aspiring to manage the kiling of 23 children in order to obtain glory. Almost as different as the villains are, so are the protagonist, a young girl falling into a rabit hole to apear in a world in which she deals with silly magic tricks, is definetly not the same as a young girl coming from poverty going into an arena to try to survive natural disasters, and run away from 23 people who are out to kill her.This is where the fault in Tartars argument it, she manages to point the difference, but fails to admit that 4 year olds are not reading The Hunger Games, just like 16 year olds are not reading Alice in Wonderland. Part of why the authors are crossing over into more evolved stories is because the children’s and young adult category dominate the Best sellers charts. These devastating stories about depresion, war and death are being asked for not just by children, but adults too are picking up the copies. Helping a story achieve better  success  in the charts, the books attract a broader audience.The reason why Suzanne Collins and J. K Rowling talk so freely about death compared to J. M. Barrie is because these books are directed towards different audiences. Audiences  that  clearly  ask for this type of story, if  these  stories weren't being  successful  with all ages, they would not have been so  successful ly  sold after being  published. These books are helping a the young adult genre, they are a perfect conection of safe and suspense, they connect the topics for childre and adults. It is important to realize that they are different books, by different authors, that are intended for different audiences.Today's  authors did not think about targeting the same audience that Peter Pan was written for because it is absurd to believe that these books are intended for the same age, but they are intended however, the same reader. The reader of Peter pan, is now the reader of The Hunger games because the 10 years difference between the publishing of the two is also a 10 year difference in the reader. This time period of difference allows the authors to publish books about death,  depression  and horrible traumas because it is becoming more socially acceptable by matured readers.

The Communication Between Alistair And The Natives

(1) Identify the two characters that provide a form of communication, and how they serve in the context of communication to others an ability to enable communication among many characters. Ada’s daughter,Flora, is Ada’s communication to everyone. Ada is mute and so she can’t really communicate with people in a traditional manner. She carries out Ada’s wishes and acts to protect Ada in her ways although ultimately, her actions led to Alistair’s anger and causing her mother pain. George Baines is the communication between Alistair and the natives. While the natives could speak some very basic English, Baines as a bridge in terms of communication between the natives and Alistair by not only translating for him but also carries out orders to the natives. (2) Describe scenes in support of your two chosen characters, be sure to consider if your choices match the above. Give a reason why you think the two you choose provide communication. When Ada and Flora asked Baines to take them to the beach to get the piano, Ada couldn’t get her point across and convince Baine to take her. Ultimately, Flora was able to not only translated her mother s wishes but also convince Baines to reluctantly take them to the beach. spend the day on the beach with Ada playing music. Baines is then taken by the transformation in Ada when she plays her piano. I chose this because it clearly shows that often time, Ada’s means of communication doesn’t work and that anger would only get her so far. FloraShow MoreRelatedThe Importance Of Public Outreach1066 Words   |  5 Pagessuccession, and preforming on-site watering and maintenance. During the summer of 2017, I served as the lead for operating a water trailer and distributing water to juvenile restoration plants at the Colgan Creek restoration reach. Since learning about the native, ecological, and historic context of the Colgan Creek restoration reach, I’ve been able to share this knowledge with SAC, SCYEC, other interns and co-workers, and volunteers at every opportunity while cultivating the Colgan Creek restoration areaRead MoreMy Phone Thesis16066 Words   |  65 Pagesgreat loss (including their two ships), when a British frigate, the HMS Lapwing, came to Anguilla’s rescue. Conditions in Anguilla were influenced not only by European conflicts but also by political expediency. In 1825 a legislative union between St Kitts and Anguilla was created when, on the recommendation of the British Government, the St Kitts House of Assembly passed an Act to allow the freeholders in Anguilla to send a representative to the said Assembly. Despite the freeholders’ strongRead MoreThe Rise of Social Media and Its Impact on Mainstream Journalism21031 Words   |  85 Pagesdebate Ten years ago, an influential McKinsey report1 concluded that new technologies were set to increase our capacity to interact by a factor of between two and five. They argued that our enhanced interactive capacity would ‘create new ways to configure businesses, organise companies, and serve customers’. These developments are not just playing out between businesses, they are profoundly impacting almost every sphere of life – with journalism on the front line. In developed societies the adoption